Layer two oscillators with filter automation
Problem: static bass lacking evolution
Using two oscillators (saw and sine) with a low-pass filter creates a dynamic bass. The second oscillator (sine wave at octave -2) is initially muted but comes in when the filter opens via automation. This adds harmonic…
Use envelope modulation on filter cutoff for release control
Problem: uncontrolled bass decay
Applying an envelope with release to the filter cutoff allows precise control over how the bass decays. This technique ensures the bass maintains rhythmic integrity while maintaining harmonic presence during filter…
Automate filter cutoff to create dynamic bass phrases
Problem: static, unengaging basslines
Automating the MGLO 24 filter's cutoff to open and close during phrases adds movement and interest to the bass. This technique is particularly effective in Tech House for creating tension and release. The creator adjusts…
Use filter automation for dynamic lead transitions
Problem: static lead transitions
Applying a filter sweep to the lead during transitions creates a sense of movement. This mixing technique is essential for future house's signature build-ups. The speaker uses it to gradually reveal the lead as the intro…
Automate filter cutoff with phaser for evolving textures
Problem: static, unmoving bass textures
Combining filter automation with a phaser creates shifting, liquid textures that avoid static sounds. This technique is ideal for melodic basslines needing movement while maintaining clarity in the mix. The phaser adds…