Use a ratio of 3:1 to 4:1 for mix bus compression in rock
Problem: mix lacks cohesion and thickness
A 3:1 to 4:1 ratio is considered normal for mix bus compression in rock mixing. This ratio provides enough compression to glue the mix together without overly squashing the dynamics. It's a balance between maintaining…
Use mix bus compression in rock for thickness and glue
Problem: mix lacks punch and cohesion
Mix bus compression is commonly used in rock mixing to add thickness and glue the entire mix together. It helps to even out the dynamics of the entire mix and brings out the punchy, aggressive character that is typical…
Use mix bus compression in EDM for pumping and sidechain effects
Problem: mix lacks rhythmic pumping and dynamics
In EDM, mix bus compression is often used to create a noticeable pumping effect, which is a key characteristic of the genre. This is typically achieved through sidechain compression, where the kick drum triggers the…
Avoid adding mix bus compression after the mix is complete
Problem: mix bus compression changes the balance of the mix
Adding mix bus compression after the mix is complete can drastically change the balance and feel of the mix. It's better to factor in mix bus compression early on during the mixing process so that you can make…
Use slow attack and slow release for gooey or smooth mix bus compression
Problem: mix bus compression feels too aggressive or unnatural
For a gooey or smooth mix bus compression, a slow attack and slow release is recommended. This allows the transients to pass through unaltered while the compressor gently tames the sustain. This type of compression is…
Use a soft knee for smooth and natural compression
Problem: compression feels too abrupt or unnatural
A soft knee is preferred for smooth and natural compression, especially when dealing with sustained notes or when aiming for a gooey mix bus sound. It allows for a more gradual onset of compression, which results in a…