Compression manages dynamics by reducing loud parts
Problem: inconsistent dynamics, loud sections overpowering others
Use 1176 compressor with slowest attack and 8:1 ratio on drum bus
Problem: overly loud transients masking low-end
Adjust limiter ratio based on low-end strength
Problem: low-end distortion from uncontrolled peaks
Ratio determines how much compression is applied
Problem: inappropriate compression intensity
Compress synth with 2:1 ratio and short release
Problem: synth lacks consistency or punch