Layer saw wave with sub for harmonic texture and low-end thickness
Problem: thin or lack of low-end definition
Combining a saw wave (rich in harmonics) with a sub oscillator (thick low end) creates a full, textured bass foundation. The saw adds upper harmonics for presence, while the sub provides weight. This is a common…
Cut low end at 65Hz with Pro Q4 when using a sub
Problem: muddy low end, frequency masking
Using Pro Q4 to cut frequencies below 65Hz prevents frequency masking between the bass and sub. This ensures the sub handles the low-end while the bass focuses on mid-low frequencies. The track spacer plugin is used to…
Apply subtle low-pass on sub bass to remove unwanted harmonics
Problem: muddy sub frequencies
A gentle low-pass filter on the sub bass removes upper harmonics that can muddy the low end. The cutoff is set around the second or third harmonic to maintain sub frequency integrity while cleaning up the spectrum. This…
Use pulse waveforms for sub pad foundation
Problem: thin or boxy sub pad
Pulse waveforms provide a rich harmonic content that fattens sub pads. The speaker selects a basic pulse shape as the core of the sub pad, which will later be enhanced with modulation and filtering. This choice creates a…
Sub pads should support leads, not compete
Problem: overbearing or competing sub pad
The speaker emphasizes that the sub pad isn't a standalone sound but a supportive element that fills the lower end of the lead. This concept highlights the role of sub pads as textural enhancers rather than focal points.…