Revoice chords by pulling root notes down an octave and keeping thirds on top
Problem: clunky or muddy chord voicings
Lowering root notes by an octave while maintaining the third as the highest note creates a more open, resonant voicing. This technique enhances clarity and allows for natural pedal tones to emerge. The speaker uses this…
Use mono voicing for plucky chorus bass
Problem: stereo bass clashing with other elements
For the chorus bass, setting the voicing to mono ensures the sound remains focused and doesn't clutter the stereo image. This is particularly effective for plucky, percussive bass sounds that need clarity in dense mixes.…
Pads can introduce bass frequencies when lower notes are added to voicing
Problem: Assuming pads only occupy specific frequency ranges
Upper voicing additions can clash with lead melodies
Problem: Unintended lead melody clashes from voicing choices
Beginners often overlook voicing's impact on bass/lead frequency ranges
Problem: Neglecting frequency analysis when adjusting voicings