Revoice chords by pulling root notes down an octave and keeping thirds on top
Problem: clunky or muddy chord voicings
Use mono voicing for plucky chorus bass
Problem: stereo bass clashing with other elements
Pads can introduce bass frequencies when lower notes are added to voicing
Problem: Assuming pads only occupy specific frequency ranges
Upper voicing additions can clash with lead melodies
Problem: Unintended lead melody clashes from voicing choices
Beginners often overlook voicing's impact on bass/lead frequency ranges
Problem: Neglecting frequency analysis when adjusting voicings