Apply high cut, distortion, and EQ to white noise for rumble
Problem: harsh, uncontrolled white noise
White noise is processed with a high cut to remove harshness, heavy distortion/overdrive to add grit, and EQ shaping to define the rumble's character. This creates a textured, low-end-focused sound that complements…
Filter white noise to avoid low-end clashing with sub bass
Problem: Frequency masking between white noise and sub bass
Removing low frequencies from white noise prevents frequency masking with sub bass, while retaining high-frequency 'tippy-toppiness' for texture and character.
Tilt frequency response with white noise for high-end energy
Problem: muddy high-end, lack of clarity
White noise can be shaped with a high-pass filter to emphasize the upper frequencies, creating a 'tilt' that adds brightness and urgency. This technique is especially useful in breakdowns or transitions where you want to…
Roll off low end on white noise for clarity
Problem: white noise muddying the low end
Rolling off the low end of white noise prevents it from muddying the low end of the track. This is especially important in trance where the low end is often dense and needs to remain clear. Rolling off the low end…
Roll off 8-10kHz on white noise for less resonance
Problem: white noise causing ear fatigue
Rolling off the 8-10kHz range on white noise reduces unwanted resonance that can be uncomfortable to the ears. This is especially important in trance where white noise is often used for transitions and needs to sit well…
Add sparkle to white noise for track start
Problem: white noise not grabbing attention
Adding sparkle to the start of white noise helps it stand out and grab attention, especially at the beginning of a track. This is a common technique in trance to ensure the white noise is heard clearly and adds energy to…
Add sidechain to white noise for better timing
Problem: white noise clashing with kick
Adding a sidechain to white noise ensures it doesn't clash with other elements in the mix. This is especially useful in trance where white noise is often used for transitions and needs to sit well with the kick and other…
Use white noise samples for build-ups
Problem: lack of atmospheric texture
White noise samples can add texture and energy to build-ups. The speaker uses a specific white noise sample repeatedly, emphasizing its versatility in creating atmospheric elements. Adding reverb to the noise enhances…
Use white noise to make the chorus feel big
Problem: chorus lacks energy and space
Adding white noise during the chorus can enhance the sense of space and energy. It's a common technique in genres like trance and progressive house to create a more immersive and dynamic section. The white noise should…